Black Dog
by Levi Pinfold, recommended for ages 4 and up.
Pinfold has
been praised and awarded for the illustrations in his book ‘Black Dog’. 'Black Dog' addresses the ingrained association between black and scary, black and
evil, black and dangerous.
Here’s how
the book starts – one day, a black dog comes to visit the Hope family. The
father is the first to spot the black dog, he panics and calls the police at
once. There is a black dog in front of my house, he is as big as a tiger, he
exclaims. The police laughs and tells Mr Hope not to go out, before hanging up.
And the
rest of the story adopts this witty pattern – each member spots the dog, panics
and asks the others what they should do. Mr Hope advises Mrs Hope to turn the
light off so the black dog (as big as an elephant) won’t know they are there.
The parents advise Adeline Hope to pull the curtains so the black dog (now as
big as Tyrannosaurus Rex) won’t see them. When Moritz Hope wakes up and spots
the black dog (the size of a Big Jeffy), the others suggest they all hide under
the covers.
Then,
Small, the youngest member of the family, realising something is amiss,
ventures out despite being warned about the Black Dog.
What Small
encounters outside is a close-up of a black dog’s face, nostrils wide open,
eyes fiery and bulging:
A game ensues between Small and the Black Dog
– if you want to eat me, you first have to catch me, she calls out to the Black
Dog, taunting him as she starts running. The dog becomes smaller and smaller
with each of Small’s mocking chants, until she reaches back home and invites
the dog to follow her in through the cat flap. By now, the Black Dog has shrunk
to Small’s size. The Family is relieved to see Small and when asked about the
Black Dog, she lifts the washing basket to reveal the small black creature. The
anti-climactic end comes across as absurd – Mr Hope is the first to admit that
now that he can properly see the Black Dog, it doesn’t look evil at all. The
family acknowledges their silliness and praises Small for her courage. The
SMALL black dog is no longer threatening.
I think my
perspective would be different if all the characters in the book were black and
the dog was white. Oops! But white is NEVER scary or evil, right? The idea of
the book – creating a monster from our imagination and confronting it in order
to overcome our fear – is indeed laudable. As it stands, I believe that the
figure of the black dog (similar to Christine Nöstlinger’s Black Bogeyman) and
all its connotations play into our prejudices about black being scary, evil and
dangerous.
One might
argue that the writer parodies people’s fear and association of black with evil
and actually takes the reader through a process of questioning one’s
prejudices, confronting them and recognising their absurdity.
The Black
Dog must be tamed and domesticated before the White family can accept it and
see that their fears were unwarranted. Even though the writer confronts the
reader with her/his fear of Blackness, I was very uncomfortable with the first
reading of this book and my immediate concern is that children and their
malleable minds will simply absorb all the negative associations that make up more
than three quarters of the book and miss the message that there is nothing to
fear in Blackness, that the monsters and evil are simply in our heads
and minds and imaginations.
For a more thorough reading of the book, see this post:https://www.slaphappylarry.com/picturebook-study-blackdog-by-levi-pinfold/
It's always astonishing to observe that for white writers, 'Black' rarely conjures up associations with skin colour or discrimination. It is just one of the many ressources they use to address a topic they want to focus on. But i think it's worth underlining its nefariousness and its ingrained tradition in literary and popular culture. We also need to address implicit biases if we want to foster respect and openness in our kids and societies.
For a more thorough reading of the book, see this post:https://www.slaphappylarry.com/picturebook-study-blackdog-by-levi-pinfold/
It's always astonishing to observe that for white writers, 'Black' rarely conjures up associations with skin colour or discrimination. It is just one of the many ressources they use to address a topic they want to focus on. But i think it's worth underlining its nefariousness and its ingrained tradition in literary and popular culture. We also need to address implicit biases if we want to foster respect and openness in our kids and societies.
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